HUMAN DESIRE (Masters of Cinema) Dual Format

A startlingly dark, late film noir masterwork by director Fritz Lang, Human Desire reunites Lang with his hero Glenn Ford and femme ale Gloria Grahame from the previous year's The Big Heat and the screenwriter of Lang's 1952 noir Clash by Night, Alfred Hayes. Like those two classics, Human Desire finds Lang casting a pitiless eye on all of the human weaknesses that define film noir: deception, infidelity, passion, and murder. Adapted from the same Émile Zola novel previously filmed by Jean Renoir in La Bête humaine (1938), Lang's gripping thriller has Ford as train engineer Jeff, just home from the Korean War. He's instantly attracted to passenger Vicki (Grahame), not yet realizing that she's the abused wife of Jeff's alcoholic railroad yard superior Carl (Broderick Crawford) -- or that Vicki was just entangled in a jealousy-fuelled murder committed by Carl. As Jeff and Vicki embark on a steamy affair, she tells him about the crime, and Carl's blackmail hold on her. If only Carl could be taken out of the picture... The only thing that's not pitch black in this noir are the ethical shades of grey inhabited by all its characters. Yet its pl small-town setting also offers a unique perspective on the genre, with Lang uncovering sinister secrets on these quiet streets that could rival any big city immorality. The Masters of Cinema is proud to present one of this brilliant filmmaker's most underrated films for the first time ever on Blu-ray. DUAL FORMAT SPECIAL FEATURES * 1080p presentation on Blu-ray (with a progressive encode on the DVD) * LPCM Mono audio * Optional English SDH subtitles * A new and exclusive interview with film historian Tony Rayns * PLUS: A 40-PAGE collector's booklet featuring new writing on the film by film historian Travis Crawford, critic and author Richard Combs, and writer Adam Batty, alongside rare archival imagery. PRESS " Lang's version of Zola's La Bête humaine is, like all his best '50s work, as cold, hard and steely grey as the railway tracks which here mark out the action. " Time Out " A gripping melodrama. " Chicago Reader

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