Product Description
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With the Mediterranean Sea to the north and the Sahara Desert to
the south, North Africa serves as a crossroad between many
cultures. The Atlantic coast of Morocco forms the Western
boundary of North Africa and the Suez Canal in Egypt its eastern
end. Most of North Africa is known as the Maghreb and includes
the countries of Morocco, Algeria, Tunisia and Libya. Egypt,
which is generally considered part of the Middle East, is
geographically part of North Africa.
Echoes of ancient history can still be heard in the rhythms and
melodies of North Africas popular music. While electronic drum
beats, disco and funk-inspired grooves, hip-hop and other Western
influences are clearly apparent in the modern music of the
region, traditional instrumentation, singing techniques and
melodies play an important role in defining the local sound.
The two best known types of popular music from North Africa are
raï and al-jil. Raï means "opinion" in Arabic, and it developed
in the Algerian port city of Oran in the 1950s and 60s. Raï is
the North African equivalent of rock and roll and is now popular
throughout the Maghreb and in Arabic communities around the
world. Al-jil is Egyptian party music. While raï and al-jil still
form the core of popular North African music, Moroccan Gnawa
trance, Touareg blues, Berber folk and Afro-Nubian rhythms are
some of the exotic local flavors that have influenced the
regions music.
In recent years, the French cities of Paris and Marseilles have
become important production centers for North African music, and
many popular artists are beginning to create songs that target
their own communities as well as a wider French market.
Meanwhile, European DJs and producers have collaborated with
artists from the region, and the influences of electronica and
European club music are ever more evident.
.com
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You'd be forgiven if, after listening to North African Groove,
the seventh release in Putumayo's dance floor-ready "Groove"
series, you imagined that the world was getting smaller. In
highlighting the diversity in contemporary Arabic music, the 12
eclectic tracks here gather influences from far beyond North
Africa--from the Gypsy Kings-style flamenco touches of Egyptian
Amr Diab's "Nour Al Ain" to the old-style Cuban salsa of Jomed's
"Montuno Noreno" to the French-style accordion that enlivens the
funky Rai of Cheb Mami's "Viens Habibi." Of course, this being a
compilation with "Groove" in the title, most everything has club
beats that could come from anywhere, although everything is
filtered through a North African lens. A case in point is
Rai--the backbeat-heavy style from Algeria that mixes American
funk with Arabic instruments and melodies and which is ably
represented here by Algerian superstar Khaled's "Aicha" and
"Ya-Rayi," as well as the less familiar (to Western ears, anyway)
Rhany and Faudel. Perhaps most surprising though is the link
bared between North Africa and Latin America--which might seem
unexpected until one considers the Moorish influence on Spanish
music and the Spanish influence on Latin music, proving that no,
the world isn't getting smaller: it's always been that way.
--Ezra Gale