Expert investigator Pierre Niémans (Jean Réno) arrives in a small
university town in the French Alps ready to examine the recent
victim of a suspected serial killer. When more corpses turn up,
he teams up with local cop Max Kerkerian (Vincent Cassel) and
tries to unravel the grisly clues the killer leaves in his wake.
Gradually, the cops realise that they are up against a dangerous
conspiracy of silence, one which hides a terrible secret from the
not-so-distant past, and set about bringing that secret out into
the open.
From .co.uk
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The Crimson Rivers is an openly acknowledged French attempt to
make a big Hollywood-style serial-killer thriller.
Jean--Ronin(1997)--Reno is Niemans, who while investigating the
case of a horrifically mutilated body finds himself partnered
with Kerkerian, a younger detective played by Vincent Cassell,
(La Haine). Set in beautiful ain country and in
Cinema by Thierry Arbot (Leon), it looks fabulous.
Kassovitz packs the frame with stylish flourishes from a
breathtaking helicopter in homage to The Shining (1980), to
a lavish stairwell tracking inspired by (1958). With
a sumptuously layered score and some superbly achieved special
effects The Crimson Rivers has all the expensive sheen of the
American movies it imitates. Unfortunately it also proves
Europeans can make films as technically accomplished but
ludicrously plotted as Hollywood can: for what begins as a tense
and unsettling procedural, mutates into an action movie
where the details make no sense. Even the Boys From Brazil
inspired plot is ludicrous. Demonstrating Kassovitz has seen
plenty of Brian De Palma and Dario Argento movies, The Crimson
Rivers entertains despite its own absurdity, and should see the
director following Luc Besson to Hollywood to make even bigger
and dumber blockbusters.
On the DVD: Despite not being labelled a special edition this
two disc set is one of the most impressive releases on DVD this
year; all the more remarkable for being a French film barely seen
in UK cinemas. The 2.35-1 anamorphically enhanced transfer is
virtually flawless while the Dolby Digital 5.1 sound is superb.
Apart from the original French soundtrack there are English and
Spanish dubbed versions, and subtitles in 20 languages (including
English and French). The first disc includes three trailers, plus
three more for other Columbia releases, and two commentary
tracks. The first features Reno, Cassel and Kassovitz--all
talking at full speed providing a wealth of information. The
second--a commentary by composer Bruno Coulais--offers a real
in into the use of music in film as he explains his approach
to specific scenes and his overall philosophy of film scoring.
This track also features the score isolated in Dolby Digital 5.1,
though Colais does talk over the beginning of some cues.
The second disc contains over two hours of documentary material.
First is a serious 52-minute making-of, in which cast and
director explain how the film was constantly re-written, going so
far as to admit it makes no sense. Further documentaries are on
"The Scalpel Scene" (26 min) and the "making of the corpse" (9
min) used in the opening scenes. There is seven minutes on
shooting the martial arts fight, with or without commentary, nine
minutes on shooting the car chase and a section playing the chase
alongside the original storyboards, with or without commentary. A
documentary on filming the ain climax (10 min) and a further
documentary on creating a digital avalanche (15 min), plus a
multi-angle feature presenting the scene as storyboards, edited
rushes, special effects or outtakes. The Production Designer
archives (13 min) covers the sets. Additionally there is footage
from the Far East promotional tour, a gallery,
filmographies of Cassel, Reno and Kassovitz, the complete
storyboards for four sequences, including the never-filmed
originally planned opening and a gallery of on-set still
photographs. It's a veritable "how to make a blockbuster" on two
shiny discs. --Gary S Dalkin