Batman, Vol. 3: Death of the Family: Interview with Scott Snyder
by Charlie Chang
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The Joker is arguably the most popular villain in comics and in
entertainment. How do you go about tackling such an icon in not
only the Joker?
Scott Snyder: For me personally, the only way to write these
iconic characters when there’s 75 years of great stories that
have already been written is to make these stories personal.
Assume that if you make it personal, then that’s how you make it
original. So I came up with the idea for this story when we were
about to have our second kid and I just kept finding myself
wishing that I could stop worrying about the first kid once in a
while and wondering how I was going to do this again. I came to
this realization that Batman has this family and he probably
thinks that same thing once in a while like, I wish I could stop
worrying about them. Then that led me to this idea that someone
might ask him, “Well why don’t you just kill all of them? That
would make it easy...” and that’s the Joker right there. I knew
that was the Joker, I could hear it in my head. It was perfect,
you hear that and you know he’s coming. Then it became a process
of trying to develop a story of how to go deeper and deeper and
darkly into that idea.
Just a few years ago, The Dark Knight film redefined Joker when
a lot of people didn’t think that would have been possible.
What’s different about this version?
Scott:I love the Heath Ledger Joker, I also love The Joker from
Frank Miller’s The Dark Knight Returns and Alan Moore’s Killing
Joke, but we tried to create our version that’s both funny and
almost humorously apocalyptic in his own kind of way while at the
same time giving this Joker his own look. In another book
(Detective Comics, Vol. 1) his face was cut off and we picked
that up because it hadn’t been dealt with and we turned it into
something for our story where he belts on his own skin-face thing
and that’s part of the theme of this story where he’s trying to
say, “Let’s look beneath the skin of this relationship and see
what you really look like beneath that , all of you, you
fools.” So in a way, I think this is very different than anything
you’ve ever seen, especially if you love the Joker, if you’re new
to comics or new to the character at all, hopefully it’s
something that gets your attention.
If you could put your favorite thing about this book, what would
it be?
Scott: The thing that I love about it is how dark it is. I try
to write the Joker with integrity and from the perspective that
he genuinely believes that he’s doing Batman a service by getting
him to kill his own family because he believes Batman loves his
villains more than his heroes or his allies. Because ultimately
what’s going to happen is each one of them is going to die or
fall to some villain and he’ll end up alone with the villains
that he keeps alive and doesn’t kill anyway. So why not just do
it now? The twisted truth, brutality, and relentlessness of that
conviction is what I love about this book the most. The Joker
believes he’s peeling back the face of Batman to show a truth
that’s there that Batman does not want to admit is beneath the
cowl.
Some of the other writers writing the tie-ins to Death of the
Family have touched on this but coming out of this book, what are
you most excited to explore after this big huge epic?
Scott: Well for me, it was never really about what happens in
continuity, it was never about the idea that the Bat family isn’t
going to meet or work together anymore. That was a fun
repercussion in the books but it’s the first part of a story
within a story about the Joker that I plan to continue. Its part
of the relationship I’m fascinated by and this is only one piece
of it. So to me it’s really about this part, the Joker saying we
love you and you love us so why don’t you admit it.
This book is so full of rich themes and emotional characters,
what do you think is the core of this book and what is Death of
the Family really all about?
Scott: This book really is a meditation on the dark and twisted
nature of Batman’s relationship, both with the Joker and with his
own family. How the Joker, as evil and horrifying as he is,
sometimes can extrapolate from a kernel of truth, a horrible
abomination of that truth that speaks to something that can
terrify everybody. That to me is really what this book is about
and I’m very proud of that.