Double bill of British gangster films. 'Layer Cake' (2004) is
based on the London-set crime novel by J.J. Connelly. 'X' (Daniel
Craig) is a successful, smooth-talking cocaine dealer - respected
among London's crime elite - whose plan is to bankroll enough
cash to make an early retirement from 'business' and lead a
quiet, crime-free life. He sees the rtunity to make a final
score when big crime boss Jimmy Price (Kenneth Cranham) asks him
to track down Charlotte Ryder (Nathalie Lunghi), the wayward
daughter of his old friend Eddie (Michael Gambon). But
complicating matters are 2 million pounds' worth of Grade A
drugs, a neo-Nazi sect and endless 'layers' of deals and
double-deals... Writer/director Guy Ritchie continues in mockney
gangster vein with 'Snatch' (2000), the follow-up to his 1998 hit
'Lock, Stock and Two Smoking Barrels'. In London en route to
deliver a stolen diamond to his employer Avi (Dennis Farina),
thief Franky Four Fingers (Benicio Del Toro) is ambushed by
Russian mobster Boris the Blade (Rade Sedgia). At the same
time, boxing promoters Turkish and Tommy enter Irish gy
fighter Mickey (Brad Pitt) in a fight run by local kingpin Brick
Top (Alan Ford). Instead of throwing the fight as arranged,
Mickey earns Brick Top's enmity by beating his fighter fair and
square. Meanwhile, Avi travels to London and hires Bullet Tooth
Tony (Vinnie Jones) to track down Franky and the diamond - which
Brick Top has now found out about and decided to appropriate from
Boris...
From .co.uk
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Layer Cake
As its title suggests, Layer Cake is a crime thriller that cuts
into several levels of its treacherous criminal underworld. The
title is actually one character's definition of the drug-trade
hierarchy, but it's also an apt metaphor for the separate layers
of deception, death, and betrayal experienced by the film's
unnamed protagonist, a cocaine traffic middle-man played with
smooth appeal by Daniel Craig (whom you probably don't need
reminding is the latest James Bond ( /gp/product/B000TQLIP6 )).
Listed in the credits only as "XXXX," the character is trapped
into doing a favour for his volatile boss, only to have tables
turned by his boss's boss (Michael Gambon) in a twisting plot
involving a stolen shipment of Ecstasy, a missing girl,
duplicitous dealers, murderous Serbian gangsters, and a variety
of lowlifes with their own deadly agendas. As adapted by J.J.
Connolly (from his own novel) and directed by Matthew Vaughan
(who earned his genre chops as producer of Guy Ritchie's Lock,
Stock, and Two Smoking Barrels and Snatch), Layer Cake improves
upon those earlier British gangland hits with assured pacing,
intelligent plotting, and an admirable emphasis on plot-moving
dialogue over routine action. Sure, it's violent (that's to be
expected) and not always involving, but it's smarter than most
thrillers, and Vaughan's directorial debut has a confident style
that's flashy without being flamboyant. This could be the start
of an impressive career. --Jeff Shannon
Snatch
Snatch, the follow-up to the Guy Ritchie's breakthrough
film--the high-energy, expletive-strewn cockney-gangster movie
Lock, Stock and Two Smoking Barrels --hardly breaks new ground
being, well, another high-energy, expletive-strewn
cockney-gangster movie. Okay, so there are some differences. This
time around our low-rent hoodlums are battling over dodgy fights
and stolen diamonds rather than dodgy card games and stolen
drugs. There has been some minor reshuffling of the cast too with
Sting and Dexter Fletcher making way for the more bankable
Benicio Del Toro and Brad Pitt, the latter pretty much stealing
the whole shebang as an incomprehensible Irish gypsy.
Moreover, no one can complain about the a of extras
featured on this DVD that includes 15 minutes of deleted scenes,
a making-of documentary, trailer, storyboards, production notes
and commentary from Ritchie himself. And, sure, people who
really, really liked Lock, Stock--or have the memory of a
goldfish--will really, really like this. The suspicion lingers,
however, that if the director doesn't do something very different
next time around then his career may prove to be considerably
shorter than that of 'er indoors. --Clark Collis