Product Description
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Nominated for seven Academy Awards® in 1954, including Best
Picture and Best Actor, THE CAINE MUTINY is a classic film about
the unstable Captain Queeg (Humphrey Bogart) and his tumultuous
command of an old minesweeper and her weary crew. On the high
seas during the dramatic battles of World War II, Queeg’s
by-the-book approach pushes his crew and his popular
second-in-command, Lt. Maryk (Van Johnson), to the breaking
point. After a series of questionable orders, Maryk confronts
Queeg when he orders the ship directly into the path of a deadly
typhoon. Maryk invokes naval code and relieves Queeg of his
command, forcing the crew to mutiny. Once safely back in port,
Maryk is court-martialed for treason, setting off a tense trial
that exposes the true state of Queeg’s mind. Nominated for Best
Actor, Humphrey Bogart gives a searing performance as he is
systematically broken down in this classic tale of
conduct in a time of war.
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Humphrey Bogart is heartbreaking as the tragic Captain Queeg in
this 1954 film, based on a novel by Herman Wouk, about a mutiny
aboard a navy ship during World War II. Stripped of his authority
by two officers under his command (played by Van Johnson and
Robert Francis) during a devastating storm, Queeg becomes a
crucial witness at a court martial that reveals as much about the
invisible injuries of war as anything. Edward Dmytryk (Murder My
Sweet, Raintree County) directs the action scenes with a sure
hand and nudges his all-male cast toward some of the most
well-defined characters of 1950s cinema. The courtroom scenes
alone have become the basis for a stage play (and a television
movie in 1988), but it is a more satisfying experience to see the
entire story in context. --Tom Keogh
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Set Contains:
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Special features on The Caine Mutiny (Collector's Edition) are
dominated by a fascinating, two-part documentary, Inside The
Caine Mutiny. Guest speakers--including Richard Pena from the
Film Society of Lincoln Center and writer-producer Ken
Bowser--recall how The Caine Mutiny's producer, Stanley Kramer,
was in the vanguard of a new breed of independent filmmaker
working on a contract basis with the aging studio system. Kramer
had been losing money for Columbia's irascible, longtime head,
Harry Cohn, but proved very profitable on Caine, making up for
other losses. More important, Kramer--whose overall career
receives some valuable commentary here--proved prescient in his
choice of material. He picked up rights to Herman Wouk's novel of
Caine while reviews of the book were coming in mixed, and long
before the story would pick up some major prizes down the line.
Still, there were obstacles ahead, especially from the U.S. Navy,
which didn't want to participate in a tale about a fictional
mutiny. There's also a lot of discussion about the film's strong
casting, especially Humphrey Bogart in a bluntly honest yet
sympathetic performance, Van Johnson taking a marvelous break
from light comedy, Jose Ferrer in a memorable role as a Navy
attorney, and Fred MacMurray playing against type as a
disaffected intellectual. Some very interesting comments are made
about the film's director, Edward Dmytryk, a once-blacklisted
talent who became a friendly witness during the U.S. governments
witch hunt for suspected Communists in entertainment, and whose
films reflect that change in stance from the 1940s to the 1950s.
--Tom Keogh
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