C [2005] [DVD]

Product Description ------------------- O-winning urban drama which tracks the volatile intersections of a multi-ethnic cast of characters' struggles to overcome their fears as they careen in and out of one another's lives. A Brentwood housewife and her DA husband; a Persian store owner; two detectives who are also lovers; an African-American television director and his wife; a Mexican locksmith; two car-jackers; a rookie cop; and a middle-aged Korean couple - they all live in Los Angeles, and during the next 36 hours, they will all collide. Matt Dillon, Sandra Bullock, Don Cheadle and Karina Arroyave star. .co.uk Review ------------- Movie studios, by and large, avoid controversial subjects like race the way you might avoid a hive of angry bees. So it's remarkable that C even got made; that it's a rich, intelligent, and moving exploration of the interlocking lives of a dozen Los Angeles residents--black, white, latino, Asian, and Persian--is downright amazing. A politically nervous district attorney (Brendan Fraser) and his high-strung wife (Sandra Bullock, biting into a welcome change of pace from Miss Congeniality) get car-jacked by an oddly sociological pair of young black men (Larenz Tate and Chris "Ludacris" Bridges); a rich black T.V. director (Terrence Howard) and his wife (Thandie Newton) get pulled over by a white racist cop (Matt Dillon) and his reluctant partner (Ryan Phillipe); a detective (Don Cheadle) and his Latina partner and lover (Jennifer Esposito) investigate a white cop who a black cop--these are only three of the interlocking stories that reach up and down class lines. Writer/director Paul Haggis (who wrote the screenplay for Million Dollar Baby) spins every character in unpredictable directions, refusing to let anyone sink into a stereotype. The cast--ranging from the famous names above to lesser-known but just as capable actors like Michael Pena (Buffalo Soldiers) and Loretta Devine (Woman Thou Art Loosed)--meets the strong script head-on, delivering galvanizing performances in short vignettes, brief glimpses that build with gut-wrenching force. This sort of multi-character mosaic is hard to pull off; C rivals such classics as Nashville and Short Cuts. A knockout. --Bret Fetzer

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