Film noir has had many influences. Long before the term was even
coined, we had atmospheric studio- detective thrillers, whose
characters gradually became more ambiguous, and whose locations
started to take in the world outside (notably New York City).
This collection showcases some classic examples.
In The Dark Mirror (1946), directed by Robert Siodmak (The
Killers), a man is murdered and there s an obvious suspect, but
she has an identical twin sister (both played by Olivia de
Havilland, Gone with the Wind), and one of them has a cast-iron
alibi. The perfect crime? A psychologist with a spet
interest in twin psychology delves into the heart of the mystery,
at considerable risk to himself. In Secret Beyond the Door
(1947), Fritz Lang (The Big Heat) adapts the Bluebeard legend
with a dash of Daphne du Maurier s Rebecca. Shortly after their
marriage, Celia (Joan Bennett, Suspiria) begins to suspect her
architect husband Mark (Michael Redgrave, Dead of Night) of
having a secret past, and wonders about the reason behind
multiple rooms in his self-designed home, one of which is kept
permanently locked. In Abraham Polonsky s Force of Evil (1948),
an unscrupulous lawyer (John Garfield, The Postman Always Rings
Twice) scents a personal fortune when he concocts a plan to merge
New York City s numbers rackets into a single powerful and
unbreakable operation, but reckons without his brother, who d
rather stay independent. And in Joseph H. Lewis ultra-stylish The
Big Combo (1955), Lieutenant Diamond (Cornel Wilde, The Naked
Prey) is determined to bring down mob boss Mr Brown (Richard
Conte, Thieves Highway). But Brown feels the same way, and is far
less constrained by the law, leading to some wince-inducing set
pieces (some involving a pre-stardom Lee Van Cleef).
LIMITED EDITION CONTENTS:
* Limited Edition Dual Format Collection [2000 copies]
* High Definition Blu-ray (1080p) and Standard Definition DVD
presentation of four film noir classics: The Dark Mirror (Robert
Siodmak, 1946), Secret Beyond the Door (Fritz Lang, 1947), Force
of Evil (Abraham Polonsky, 1948), and The Big Combo (Joseph H.
Lewis, 1955)
* Commentaries on all films by leading scholars and critics
Adrian Martin (on The Dark Mirror), Alan K. Rode (on Secret
Beyond the Door), Glenn Kenny and Farran Smith Nehme (on Force of
Evil), and Eddie Muller (on The Big Combo)
* Noah Isenberg on The Dark Mirror, the author and scholar
provides a detailed analysis of the film
* Noah Isenberg on The Dark Mirror, the author and scholar
provides a detailed analysis of the film
* Barry Keith Grant on Secret Beyond the Door, the author and
scholar introduces the film
* The House of Lang: A visual essay on Fritz Lang s style by
filmmaker David Cairns with a focus on his noir work
* Introduction to Force of Evil by Martin Scorsese
* An Autopsy on Capitalism: A visual essay on the production and
reception of Force of Evil by Frank Krutnik, author of In a
Lonely Street: Film noir, genre, masculinity
* Commentary on selected Force of Evil themes by Krutnik
* Geoff Andrew on The Big Combo, the critic and programmer offers
an introduction to and analysis of the film
* Wagon Wheel Joe: A visual essay on director Joseph H. Lewis by
filmmaker David Cairns
* The Big Combo original screenplay (BD/DVD-ROM content)
* Four radio plays
* Trailers
* Reversible sleeves featuring original and newly commissioned
artwork by Scott Saslow for all films
* Hardback book featuring new writing on all the films by noir
experts and critics including Michael Brooke, Andrew Spicer,
David Cairns and Tony Rayns and more [Limited Edition Exclusive]