Product Description
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Academy Award® and BAFTA® winner Natalie Portman stars in the
award-winning and critically accled Black Swan. Nina (Portman)
is a ballerina in a New York City ballet company whose life, like
all those in her profession, is completely consumed with dance.
She lives with her obsessive former ballerina mother Erica
(Hershey) who exerts a suffocating control over her. When
artistic director Thomas Leroy (Cassel) decides to replace prima
ballerina Beth MacIntyre (Ryder) for the opening production of
their new season, Swan Lake, Nina is his first choice. But Nina
has competition: a new dancer, Lily (Kunis), who impresses Leroy
as well. Swan Lake requires a dancer who can play both the White
Swan with innocence and grace, and the Black Swan, who represents
guile and ity. Nina fits the White Swan role perfectly but
Lily is the personification of the Black Swan. As the two young
dancers expand their rivalry into a twisted friendship, Nina
begins to get more in touch with her dark side--a recklessness
that threatens to destroy her.
Special Features:
* Metamorphosis: A Three-Part Series--A behind the scenes look at
the filmmaking process from Darren Aronofsky’s visionary
directing, to the physically-demanding acting, to the stunning
special effects.
* Behind the Curtain--An inside look at the film’s costume and
production design.
* Ten Years in the Making--Natalie Portman and Darren Aronofsky
discuss their creative journey, from “preparing for the role” to
“dancing with the camera.
* Cast Profiles: Roles of a Lifetime--Presented by Fox Movie
Channel, the stars reflect on their challenging and rewarding
characters.
"Magnificient”--The Times
"Masterpiece" *****--News of the World
"Ravishing" *****--Daily Mirror
.co.uk Review
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Feverish worlds such as espionage and warfare have nothing on
the hothouse realm of ballet, as director Darren Aronofsky makes
clear in Black Swan, his over-the-top delve into a particularly
fraught production of Swan Lake. At the very moment hard-working
ballerina Nina (Natalie Portman) lands the plum role of the White
Swan, her company director (Vincent Cassel) informs her that
she'll also play the Black Swan--and while Nina's precise, almost
virginal technique will serve her well in the former role, the
latter will require a looser, lustier attack. The strain of
reaching within herself for these feelings, along with nattering
comments from her mother (Barbara Hershey) and the perceived
rivalry from a new dancer (Mila Kunis), are enough to make
anybody crack… and tracing out the fault lines of Nina's
breakdown is right in Aronofsky's wheelhouse. Those cracks are
broad indeed, as Nina's psychological instability is telegraphed
with blunt-force emphasis in this neurotic roller-coaster ride.
The characters are stick figures--literally, in the case of the
dancers, but also as single-note stereotypes in the horror show:
witchy bad mummy, sexually intimidating male boss, wacko diva
(Winona Ryder, as the prima ballerina Nina is replacing). Yet the
film does work up some crazed momentum (and undeniably earned its
share of critical raves), and the final sequence is one juicy
curtain-dropper. A good part of the reason for this is the
superbly all-or-nothing performance by Natalie Portman, who packs
an enormous a of ferocity into her small body. Kudos, too,
to Tchaikovsky's incredibly durable music, which has meshed well
with psychological horror at least since being excerpted for the
memorably moody opening credits of the 1931 Dracula, another
pirouette through the dark side. --Robert Horton