DVD Special Features:
Documentary on bringing AI to the screen
Interviews with Steven Spielberg, Haley Joel Osment and Jude Law
Newly produced behind-the-scenes featurettes on the making of AI
An interview with Sound Designer Gary Rydstrom at Skywalker
Ranch
A visit to Stan Winston Studios with early "Teddy" footage
Interviews with Lucasfilm's ILM special effects group
Trailers, storyboards, drawings and hundreds of photos approved
by Steven Spielberg for this release
Interactive menus
Scene access
And much, much more!
Languages: Audio Dolby Digital 5.1 English, French, Italian
Subtitles: English, French, Italian, Dutch, Arabic, Spanish,
Portuguese, German, Romanian, Bulgarian
Hearing Impaired: English, Italian
Widescreen 1.85:1
From .co.uk
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History will place an asterisk next to A.I. as the
film Stanley Kubrick might have directed. But let the record also
show that Kubrick--after developing this project for some 15
years--wanted Steven Spielberg to helm this astonishing sci-fi
rendition of Pinocchio, cling (with good reason) that it
veered closer to Spielberg's kinder, gentler sensibilities.
Spielberg inherited the project (based on the Brain Aldiss short
story "Supertoys Last All Summer Long" (
/exec/obidos/ASIN/1841490946/%24%7B0%7D )) after Kubrick's death
in 1999, and the result is an astounding directorial hybrid. A
flawed masterpiece of sorts, in which Spielberg's gift for
wondrous enchantment often clashes (and sometimes melds) with
Kubrick's harsher vision of humanity, the film spans near and
distant futures with the fairy-tale adventures of an artificial
boy named David (Haley Joel Osment), a marvel of cybernetic
progress who wants only to be a real boy, loved by his mother in
that happy place called home.
Echoes of Spielberg's Empire of the Sun are evident as young
David, shunned by his trial parents and tossed into an unfriendly
world, is joined by fellow "mecha" Gigolo Joe (played with a
dancer's agility by Jude Law) in his quest for a mother-and-child
reunion. Parallels to Pinocchio intensify as David reaches "the
end of the world" (a Manhattan flooded by melted polar ice caps),
and a far-future epilogue propels A.I. into even deeper realms of
wonder, just as it pulls Spielberg back to his comfort zone of
sweetness and soothing sentiment. Some may lament the diffusion
of Kubrick's original vision, but this is Spielberg's A.I., a
film of astonishing technical wizardry that spans the spectrum of
human emotions and offers just enough Kubrick to suggest that
humanity's future is anything but guaranteed. --Jeff Shannon,
.com
On the DVD: A perfect movie for the digital age, A.I. finds a
natural home on DVD. The purity of the picture, its carefully
composed colour schemes and the multifarious sound effects are
accorded the pin-point sharpness they deserve with the anamorphic
1.85:1 picture and Dolby 5.1 sound, as is John Williams's
thoughtful music score ( /exec/obidos/ASIN/B00005LLVS/%24%7B0%7D
). On the first disc there's a short yet revealing documentary,
"Creating A.I.", but the meat of the extras appears on disc two.
Here there are good, well-made featurettes on acting, set design,
costumes, lighting, sound design, music and various aspects of
the special effects: Stan Winston's remarkable robots (including
Teddy, of course) and ILM's flawless CGI work. In addition there
are storyboards, photographs and trailers. Finally, Steven
Spielberg provides some rather sententious closing remarks ("I
think that we have to be very careful about how we as a species
use our genius"), but no director's commentary. --Mark Walker