Product Description
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Step into Tyler Perry’s neighborhood, peel back the
rough exterior and BEHOLD! Get on the laugh wagon as some of your
favorite stage stars strut, sing and remind us, no matter how
tough it gets, that laughter, faith and love are the best
remedies.
.com
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The Tyler Perry entertainment machine keeps cranking
across entertainment markets with this home-video entry of one of
his many stage plays, Laugh to Keep from Crying. It was taped
during a live performance in Perry's hometown of Atlanta before
the show went on a y, extended national tour starting in
the fall of 2009. Perry wrote and directed the production and his
fans will find a lot to like in the mix of sitcom gags, down-home
moralism, old-fashioned melodrama, and rousing gospel- and
soul-based music (cowritten by Perry and Elvin Ross). The only
thing they'll miss is the performing presence of Perry himself
since Laugh does not feature the character of Madea, his
big-bosomed, -toting, potty-mouthed granny of an alter ego.
Laugh takes place round about a tenement apartment on an unnamed
urban street where s are frequent and the primarily
African-American tenants are struggling to get by as they also
struggle with a variety of life issues. The building is home to
Carol (Cheryl i Riley), a single mom with two teenagers who
have different hers and wholly different attitudes. There's
Tony (Donny Sykes), a momma's boy who's dedicated to school,
church, and singing in the choir, and Lisa (Tamar Davis), a
rebellious handful and a chronic truant who can't understand why
her mother is keeping the identity of her her hidden. Across
the hall is Belinda (Chandra Currelley-Young), a hard-working
widow who just lost her job, and upstairs is Niecy (D'Atra
Hicks), a goodhearted aging hooker, along with Peter and Anna
(Wess Morgan and Stephanie Ferrett), white newlyweds who have
moved into the building to save money. Rounding out the ensemble
cast is Donnie (Anthony Dalton), a caring cop who's trying to woo
Carol; Peter and Anna's uptight mother-in-law Jane (Rachel
Richards); and Niecy's pimp, Eddie (Celestin Cornielle), who
functions as a genuine Simon Legree villain. Presiding over
pretty much all of them is the building's super, Floyd (Palmer
Williams Jr.), who practically steals the show with his shucking,
jiving, and distinctive Perry-esque comic manner of the
huckster-fool who gets all the good lines.
The struggles that would presumably keep everyone crying without
the upbeat music and constant string of jokes involve Lisa's
disobedient behavior and dabbling into street life, Belinda's
struggle with her sudden lack of security, Niecy's struggle to be
free of Eddie, the young white couple's struggle to fit in, and
Carol's struggle to keep her kids on the right path in a
dangerous, modern, urban world. There's lots of crossover in
these many struggles, but the action is pretty simplistic, full
of broad comedy, exaggerated movement, overt sentimentality, and
spiritual posturing that comes across as exactly what it is--a
rich man's story about the strength and moral courage of poor
people just trying to get by. The telling is also simplistic and
straightforward, with the camera and cutting staying unobtrusive,
cleanly showing off the action without any showoff-y style. The
blocking is direct and easy to follow on the single set of the
double-decked cutaway apartment and its four rooms, complete with
proscenium stoop and sidewalk for downstage action. The perky
musical numbers come early and often, giving the sitcom/drama a
nice breakup. There's even a background score in several
sequences, which adds to the undemanding, TV feel of the show.
The disc includes short interview segments with the cast members,
ending with a few audience testimonials, many of which attest to
Floyd being the best and funniest thing about the Laugh
production. Palmer Williams Jr. will be familiar to Perry
aficionados from his role as Floyd (coincidence?) in the Tyler
Perry-produced TV series House of Payne. But even though Madea is
missing, Perry does get a chance to show off his charismatic
show-biz sparkle in an extended curtain-call speech. As in the
two hours that came just before, he delivers his personal message
of hope and inspiration that the audience in Atlanta eats up. His
home audiences will almost certainly do the same. --Ted Fry