Product Description
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For more than 50 years, he has been Italy's most powerful,
feared and enigmatic politician. And as Giulio Andreotti begins
his seventh term as Prime Minister, he and his hardliner faction
take control of a country reeling from the brazen murders of
several high-level bankers, judges and journalists, as well as
the kipping and assassination of former Prime Minister Aldo
Moro. But as the Christian Democrat party crumbles in a
nationwide bribery scandal, suspicion begins to fall on Andreotti
himself as the center of a shocking conspiracy involving the
Vatican, the Mafia and the secret neo-Fascist Masonic Lodge P2.
In what is called "The Trial of the Century," Italy's legendary
Senator for Life will stand accused of corruption, collusion and
murder.
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Subtitled "the extraordinary life of Giulio Andreotti,"
director-writer Paolo Sorrentino's Il Divo details the latter
portion of the reign of Italy's seven-time prime minister, the
leader of the Christian Democratic Party for some 50 years and a
guy with more nicknames than James Brown: in addition to Il Divo,
Andreotti, who is now in his nineties, has been known as the
Sphinx, the Salamander, the Hunchback, Beelzebub, and the Black
Pope, among others. He is also widely believed to have been
directly connected to the Mafia; and perhaps most infamously,
Andreotti was blamed for the death of popular centrist rival Aldo
Moro, whom he refused to help when Moro was abducted and then
assassinated by leftist radicals in 1978. We first see Andreotti
(portrayed by Toni Servillo) in the early 1990s, by which time he
has been named Senator for Life and is quietly gloating over the
fact that he's outlived nearly everyone who tried to bring him
down; by the end, he's the defiant, unrepentant defendant in
Italy's Trial of the Century, accused of all sorts of nefarious
deeds, including conspiracy, corruption, and murder. In between
are a series of exquisite, indelible scenes and images, such as
Andreotti walking the streets of Rome in the wee small hours,
surrounded by -toting bodyguards (Gabriel Faure's Pavane, the
soundtrack in this scene, is but one example of the consistently
brilliant use of music, from classical to techno), or the s
of various enemies being eliminated in moments of operatic
violence (it's not for nothing that Sorrentino's work has been
compared to Cla and Scorsese's). Servillo, somewhat
reminiscent of the late Peter Sellers, delivers a mannered but
beautifully measured performance as a man described as "incapable
of doubts or thrills." He's as cold and stiff as a wax figure,
yet while he speaks quietly (in part due to debilitating
migraines), what he does say is usually memorable; invited to
dance at one gathering, he replies, "I don't succumb to lesser
vices," and when urged to run for President of the Republic, he
accepts by saying, "I know I'm of average height, but I don't see
any giants around." A triumph of both style and substance, Il
Divo is not only one of the best foreign films of 2008, but one
of the best films, period. --Sam Graham
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Review
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"...ranks alongside the best of Martin Scorsese and Francis Ford
Cla" --Stephen Holden, New York Times
"The Godher meets Nixon" --Roger Ebert, Chicago Sun Times
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