Product Description
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The Pink Panther is - paws down - the world's grooviest cartoon
star. In 1964, this pink-inked feline slinked onto the opening
credits of Blake Edwards' caper film by the same name and
threatened to steal the entire show. Sleek, sophisticated and
witty, the animation, produced by Friz Freleng and David H.
DePatie, was a stylish departure from its contemporaries
and an
instant hit. A subsequent short film, The Pink Phink, would go on
to win* an O® and spawn a celebrated series of six-minute
cartoons featuring the sly cat. Now, for the first time, 124
cartoons produced by Freleng and DePatie between 1964 and 1980
are collected here in a swingin' 5-disc set. With over 14 hours
of "pink comedy," you can't help but lick your whiskers!
.com
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One of the unforeseen (and hugely profitable) benefits of the
first Pink Panther movie was the popularity of the cartoon cat
from that film's classic credits sequence. Added on a hunch by
director Blake Edwards and concocted by the DePatie-Freleng
animation team, the slinky pink feline immediately spawned his
own series of cartoons, first for theatrical release and later
for television. The saga is gathered in The Pink Panther Classic
Cartoon Collection, five discs of 124 cartoons, plus extras. This
would have to be considered the ultimate such collection, and
more than the average fan could handle in a few sittings (or a
few dozen). But they're all here.
When United Artists commissioned David DePatie and Friz Freleng
(whose new company was born from the eclipse of the old Warner
Bros. cartoon unit) to make freestanding Pink Panther cartoons,
their first effort struck gold. Literally: The Pink Phink won the
O for best animated short subject, and is still a prime
example of circa-1964 line drawing and visual humor. Most of the
early shorts display a sure sense of timing and a cheeky feel for
the era; they were directed by Freleng and Hawley Pratt (Pratt's
design for the Pink Panther had been selected by Blake Edwards
from dozens of offerings at the time of the first feature). In
two of the first handful, Sink Pink and Pink Ice, the Pink
Panther himself speaks stray lines of dialogue, a mistake that
would not be repeated later. One unwelcome aural intrusion: some
of the cartoons here have a laugh track from the TV series, even
on the O-nominated Pink Blueprint.
Animation voiceover veterans of the era chimed in with narration
or voices for other characters; for instance, the indeigable
Paul Frees does the narration on Phinkfinger, a funny spoof of
007-style movies. But most of the cartoons are wordless,
which is one reason they remained popular internationally for so
many years. The main reason is the slinky character of the
Panther, a mischievous hipster who could be either the instrument
of chaos or the victim, depending on the cartoon. The plots tend
toward the cartoon verities: the necessity of catching a mouse or
silencing an alarm clock, for instance. A documentary, Behind the
Feline, gives a fine account of the history of the character; it
is also bundled on a previous boxed set, The Pink Panther Film
Collection. Useful new extras include a portrait of Friz Freleng
by his daughters, an illuminating interview with
animator-director Art Leonardi, and a delightful vignette with
Leonardi instructing us on how to quickly draw the Pink Panther.
The opening-title sequences from five Pink Panther movies are
included. Throughout the cartoons and the extras, you will be
reminded of one incalculable boost to the series: Henry Mancini's
lithe, foxy theme music, which surely had much to do with the
character's enduring fame. Mancini gets an onscreen shout-out in
Pink, Plunk, Plink, in which the Panther tries to inject his
theme into an orchestral performance of Beethoven's Fifth.
--Robert Horton