Product Description
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This boldly cinematic trio of stories about love and loss from
Krzysztof Kieślowski (The Double Life of Véronique) was a
defining event of the art-house boom of the 1990s. The films were
named for the colors of the French and stand for the tenets
of the French Revolution—liberty, equality, and fraternity—but
this hardly begins to explain their enigmatic beauty and rich
humanity. Set in Paris, Warsaw, and Geneva, and ranging from
tragedy to comedy, Blue, White, and Red (Kieślowski’s final film)
examine with artistic clarity a group of ambiguously
interconnected people experiencing profound personal disruptions.
Marked by intoxicating cinematography and stirring performances
by such actors as Juliette Binoche (Summer Hours), Julie Delpy
(Before Sunset), Irène Jacob (The Double Life of Véronique), and
Jean-Louis Trintignant (Z), Kieślowski’s Three Colors is a
benchmark of contemporary cinema.
Blue In the devastating first film of the Three Colors trilogy,
Juliette Binoche gives a tour de force performance as Julie, a
woman reeling from the tragic deaths of her husband and young
daughter. But Blue is more than just a blistering study of grief;
it’s also a tale of liberation, as Julie learns truths about her
late composer husband’s life and attempts to free herself of the
past. in icily gorgeous tones by Sławomir Idziak (The Double
Life of Véronique) and set to an extraordinary operatic score by
Zbigniew Preisner (The Secret Garden), Blue is an overwhelming
sensory experience.
1993
98 minutes
Color
2.0 surround
In French with English subtitles
1.85:1 aspect ratio
White The most playful but also the grittiest of Kieślowski’s
Three Colors films follows the adventures of Karol Karol (The
Pianist’s Zbigniew Zamachowski), a Polish immigrant living in
France. The hess hairdresser opts to leave Paris for his
native Warsaw after his wife (Julie Delpy) sues him for divorce
(her reason: he was never able to perform in bed) and then frames
him for arson after setting her own salon ablaze. White, which
goes on to chronicle Karol Karol’s elaborate revenge plot,
manages to be both a ticklish dark comedy about the economic
inequalities of Eastern and Western Europe and a sublime reverie
about twisted love. 1993
91 minutes
Color
2.0 surround
In French and Polish with English subtitles
1.85:1 aspect ratio
Red Krzysztof Kieślowski closes his Three Colors trilogy in grand
fashion with an incandescent meditation on e and chance,
starring Irène Jacob as a sweet-souled yet somber runway model in
Geneva whose life intersects with that of a bitter retired judge,
played by Jean Louis Trintignant. Their blossoming friendship
forces each to open up in surprising emotional ways. Meanwhile,
just down the street, a seemingly unrelated story of jealousy and
betrayal unfolds. Red is an look at forged connections
and a splendid final statement from a remarkable filmmaker at the
height of his powers.
1994
99 minutes
Color
2.0 surround
In French with English subtitles
1.85:1 aspect ratio
.com
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Even though one can view each segment of Krzysztof Kieslowski's
Three Colors trilogy on its own, it seems absurd to do so; why
buy the slacks instead of the entire suit? Created by Kieslowski
and his writing partner Krzysztof Piesiewicz for France's
bicentennial, the titles--and the themes of the films--come from
the three colors of the French representing liberty,
equality, and fraternity. Blue examines liberation through the
eyes of a woman (Juliette Binoche) who loses her husband and
daughter in an auto accident, and solemnly starts anew. White is
an ironic comedy about a befuddled Polish husband (Zbigniew
Zamachowski) who takes an odd path of revenge against his ex-wife
(Julie Delpy). A Swiss model (Irène Jacob) strikes up a
friendship with a retired judge (Jean-Louis Trintignant) who
eavesdrops on his neighbors in Red. The trilogy is a snap of
European life at a time of reconstruction after the Cold War,
reflected through Kieslowski's moralist view of human nature and
illumined by each title's palate color.
The DVD set has numerous extras spread throughout the three
discs; the end result is a superior collection. Each disc has a
short retrospective, culled together from new interviews with
Kieslowski's crew, plus film critic Geoff Andrew, biographer
Annette Insdorf (who also does the commentaries), and fellow
Polish director Ageniska Holland. Producer Marin Karmitz also
reminisces about the experience. There's an exceptional effort to
show the magic of Kieslowski (who died two years after the
trilogy) through a discussion of his various career phases,
interviews with the three lead actresses, four student films, and
archival materials including simple--and wonderful--glimpses of
the director at work. Excellent in is also provided by
Dominique Rabourdin's filmed "cinema lessons" with Kieslowski.
Without viewing any of his other films, this set illustrates the
uniqueness of Kieslowski. --Doug Thomas