Dark urban locales, sultry femme ales, doomed protagonists and
a brooding atmosphere of danger, cynicism and anxiety. These
quintessential aspects of film noir are strikingly demonstrated
by the four consummate examples of the genre presented in this
collection.
In The Dark Mirror (1946), directed by Robert Siodmak (The
Killers), a man is murdered and there s an obvious suspect, but
she has an identical twin sister (both played by Olivia de
Havilland, Gone with the Wind), and one of them has a cast-iron
alibi. The perfect crime? A psychologist with a spet
interest in twin psychology delves into the heart of the mystery,
at considerable risk to himself. In Secret Beyond the Door
(1947), Fritz Lang (The Big Heat) adapts the Bluebeard legend
with a dash of Daphne du Maurier s Rebecca. Shortly after their
marriage, Celia (Joan Bennett, Suspiria) begins to suspect her
architect husband Mark (Michael Redgrave, Dead of Night) of
having a secret past, and wonders about the reason behind
multiple rooms in his self-designed home, one of which is kept
permanently locked. In Abraham Polonsky s Force of Evil (1948),
an unscrupulous lawyer (John Garfield, The Postman Always Rings
Twice) scents a personal fortune when he concocts a plan to merge
New York City s numbers rackets into a single powerful and
unbreakable operation, but reckons without his brother, who d
rather stay independent. And in Joseph H. Lewis s ultra-stylish
The Big Combo (1955), Lieutenant Diamond (Cornel Wilde, The Naked
Prey) is determined to bring down mob boss Mr Brown (Richard
Conte, Thieves Highway), even if it means jeopardising his own
career. But the feeling is mutual and the unscrupulous gangster
is more than willing to operate outside the law to get his man,
leading to some wince-inducing set-pieces (some involving a
pre-stardom Lee Van Cleef).
This collection showcases many of the genre s major names on
both sides of the camera. In addition to the directing and acting
talent there are cinematographers Stanley Cortez (The Night of
the Hunter) and John Alton (An American in Paris), composers
Dimitri Tiomkin (High Noon) and Miklós Rósza (The Killers), and
writers Nunnally Johnson (The Woman in the Window) and Philip
Yordan (Johnny Guitar). It s little wonder that directors such as
Martin Scorsese and Quentin Tarantino were so struck by them.
SPECIAL EDITION CONTENTS
* High Definition Blu-rayTM (1080p) presentations of four film
noir classics: The Dark Mirror, Secret Beyond the Door, Force of
Evil and The Big Combo
* Original uncompressed PCM soundtracks on all films
* Optional English subtitles for the deaf and hard of hearing for
all films
* Commentaries on all films by leading scholars and critics
Adrian Martin (The Dark Mirror), Alan K. Rode (Secret Beyond the
Door), Glenn Kenny and Farran Smith Nehme (Force of Evil), and
Eddie Muller (The Big Combo)
* Noah Isenberg on The Dark Mirror, the author and scholar
provides a detailed analysis of the film
* Barry Keith Grant on Secret Beyond the Door, the author and
scholar introduces the film
* The House of Lang, a visual essay on Fritz Lang s style by
filmmaker David Cairns with a focus on his noir work
* Introduction to Force of Evil by Martin Scorsese
* An Autopsy on Capitalism, a visual essay on the production and
reception of Force of Evil by Frank Krutnik, author of In a
Lonely Street: Film noir, genre, masculinity
* Commentary on selected Force of Evil themes by Krutnik
* And much more!