Product Description
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2008 two CD set, the third installment in this popular series of
compilations that lifts tracks from the popular BBC Radio One
show Live Lounge. Volume Three promises to be even stronger than
the first two and will build on the success, and the
word-of-mouth from the first Live Lounge collections. The album
is made up of tracks from Jo Whiley's lunchtime show (five
million listeners) where bands performed their own track, or a
cover version. The tracks are live and stripped down, showing the
true quality of the musicianship and craft of the song. The album
is a combination of alternative versions of band classics plus
unique cover versions recorded live in BBC Maida Vale. Includes
cuts from Duffy, Pigeon Detectives, McFly, the Ting Tings, Sam
Sparro, the Kooks, the Streets, Elbow, Scouting for Girls, Adele
and many others. 40 tracks. Sony/BMG.
.co.uk
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Say what you like about BBC Radio 1, its DJs or its playlists,
theyre definitely getting one thing right through their
commitment to live music--particularly with regards to the often
quirky fruits that tumble forth from its Live Lounge. Volume 3 of
the double CD collections from these sessions arrives packed with
more than enough in the way of gems to offset the few inevitable
run-of-the-mill single performances. Those justifying the format
when modifying their own tracks include Kasabian working
"Sympathy for the Devil" into "LSF", Duffy bringing some grit to
a stripped down "Mercy", absent as shes trotted it out endlessly
elsewhere, and a bare, emotional "Daddys Gone" from Glasve.
The real value of the set though is found in amongst Girls
Alouds sensitive version of "With Every Heartbeat" (originally
by Robyn), Ida Marias feisty "Sweet About Me" (Gabriella Cilmi),
REM sketching "Munich" (Editors) out with mandolin refinement,
Kate Nash absolutely owning a cute, giddy "Fluorescent
Adolescent" (Arctic Monkeys), Goldfrapps haunting "Its Not Over
Yet" (Grace--made famous again by Klaxons), Santogolds paranoid
and chilling take on "Hometown Glory" (Adele) and Bat for Lashes
pulsing, minimalist "Sweet Dreams" (Eurhythmics). If youre
looking for one single convincing reason to own this though, look
no further than Dizzee Rascals bench-press solid, somersault
swaggering, air-punching attitude-laden re-jigging of the Ting
Tings "Thats Not My Name". Its enough to justify the licence
fee. --James Berry
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Review
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"They call me Blood, they call me Rude-boy, they call me Oi,
they call me Mate. That's not my name," belts out Dizzee Rascal
as he reworks The Ting Tings' number one hit That's Not My Name.
Really, you should buy Radio 1's Live Lounge- Volume 3 for this
cover alone. But that would be silly.
There are several other reasons that make this double disc of 40
live tracks (covers and classics) good. Sadly, there are several
more that make it bad. The glaring problem with the Live Lounge
series is that its quirkiness doesn't transfer well on to record.
Live on radio or, better still, on stage, Elliot Minor covering
Take That's Rule The World has the power to wow. In your car, it
simply makes the listener remark, 'Oh yes, that's clever'. In
other words, you may find yourself spinning this compilation
twice, maybe thrice, then becoming considerably 'over it'.
Thankfully, there are several exceptions to this rule, namely The
Hoosiers' stunning delivery of Justin Timberlake's Lovestoned-
breathtaking, live or otherwise. Meanwhile Girls Aloud step up
their game and defy the most miserable critique with their
brilliant rendition of Robyn's With Every Heartbeat and the
Pigeon Detectives make Hot Chip's Ready For The Floor totally
their own. The real red herring, however, is Goldfrapp's cover of
It's Not Over Yet by Grace. Who'd have thought even the classiest
act could make this cheese sound so good.
Of the smaller minority of original material (performed and
recorded live), Duffy's Mercy, Kasabian's LSF and Ne-Yo's Closer
gleam.
A highly enjoyable compilation, if only for a couple of listens.
--Elle J Small
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