The Little Shop Of Horrors [1960] [DVD]

Roger Corman's cult horror comedy, in which a shy young florist bites off more than he can chew when he nurtures a maneating from outer space. Jack Nicholson made his film debut as a masochistic dental patient. Allegedly in two days, this film spawned a stage show and a 1986 remake. From .co.uk ----------- Even by Roger Corman's thrifty standards, The Little Shop of Horrors was a masterpiece of micro-budget movie-making. Scripted in a week and , according to Corman, in two days and one night, it made use of a pre-existing store-front set that serves as the florist's shop where most of the action takes place. Our hero is shambling loser Seymour Krelboined, sad-sack assistant at Mushnick's skid-row flower shop and who is hopelessly in love with Audrey, his fellow worker. Threatened with the sack by Mushnick, Seymour brings in a strange he's been breeding at home, hoping it'll attract the customers. It does, and the store starts to prosper, but Seymour is horrified to discover that the only thing the will thrive on is blood, fresh, human blood at that. The sets are pasteboard, the acting is way over the top, and altogether Little Shop is an unabashed high-camp spoof, not to be taken seriously for a second. Even so, Corman notes that this was the movie "that established me as an underground legend". Charles Griffith, the film's screenwriter, plays the voice of the insatiable ("FEED ME!"), and billed way down the cast list is a very young Jack Nicholson in a bizarre, giggling cameo as Wilbur Force, a masochistic dental patient demanding ever more pain. The film's cult status got it turned into an off-Broadway hit musical in the 1980s, with a great pastiche doo-wop score by Alan Menken, which was subsequently filmed in 1986. The musical remake is a lot of fun, but it misses the ramshackle charm of the original. On the DVD: Little Shop of Horrors on disc does not even boast a trailer, just some minimal onscreen background info about the production. The clean transfer, 4:3 ratio, and digitally remastered mono sound faithfully recapture Corman's bargain-basement production values. --Philip Kemp

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