Review
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“This volume completely supercedes its predecessor…
The Loeb editors have chosen the world's best scholars on these
difficult authors for the revisions… Each ancient text is given a
clear, informative introduction, outlining for general readers
and spets alike the basic problems and concerns of each
essay, backed up with helpful bibliographical notes… In sum, this
is an excellent, if overdue, revision of seminal criticism…
Congratulations to the contributors and to the series editors for
another splendidly produced volume which any scholar of classical
literature should now possess.”―Richard Hawley, Classical Review
“This re-edition cum revision of the three most seminal ancient
Greek treatises in the aesthetics of literature is much to be
welcomed. Together with a new translation of Aristotle's Poetics
by Stephen Halliwell, it provides a spruced up version of W. H.
Fyfe's spirited rendering of On the Sublime, and a comprehensive
revision of W. Rhys Roberts' 1927 edition and translation of On
Style. In all three cases new introductions and generous
annotations bring the reader up to date with recent scholarship…
The volume as a whole succeeds in meeting both the needs of
non-classically trained readers and the requirements of scholars.
For that reason it cannot be recommended too warmly.”―Suzanne
Stern-Gillet, British Journal of Aesthetics
“Under the general editorship of George Gould, the careful
revision of the Loeb series continues, with this volume 23 of
Aristotle. The Poetics is, of course, the jewel in this crown… It
is a tall enough order, at the end of the twentieth century to
attempt one translation of Aristotle's Poetics, but Stephen
Halliwell has now produced two… This new Loeb edition is, by
design, noticeably closer to the Greek than Halliwell's earlier
translation. The Greek text itself is a vast improvement over
that of Hamilton Fyfe's Loeb, which was based on Vahlen's edition
of 1885.”―
“For this edition [of the treatise On Style], Doreen Innes has
quite extensively revised that version―with notably favorable
results―and has provided a generous introduction, once again with
a structural synopsis and bibliographic notes.”―
“This set of revisions was past due, and its arrival is most
welcome. The result is a useful and physically very beautiful
little volume that, I predict, will see very heavy use.”―John T.
Kirby, Classical Outlook
“Possibly the next most important work of literary theory and
criticism to survive the wreck of antiquity…is the brilliant
treatise Peri hupseos, attributed to someone called Longinus… In
this second Loeb edition, the earlier Hamilton Fyfe translation
has been overhauled by Donald Russell, surely the greatest living
authority on Longinus.”―
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From the Back Cover
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This volume brings together the three most original
and influential ancient Greek treatises on literature.
Artistotle's Poetics contains his of Greek tragedy: its
history, nature, and conventions, with details on poetic diction.
Stephen Halliwell makes this seminal work newly accessible with a
reliable text and a translation that is both accurate and
readable. His authoritative introduction traces the work's debt
to earlier theorists (especially Plato), its distinctive
argument, and the reasons behind its enduring relevance. The
essay On the Sublime, usually attributed to "Longinus" (identity
uncertain), was probably composed in the first century A.D.; its
subject is the appreciation of greatness ("the sublime") in
writing, with analysis of illustrative passages ranging from
Homer and Sappho to Plato and Genesis. In this edition, Donald
Russell has judiciously revised and newly annotated the text and
translation by W. Hamilton Fyfe and provides a new introduction.
The treatise On Style, ascribed to an (again unidentifiable)
Demetrius, was perhaps composed during the second century B.C. It
seems to reflect the theoretical energy of Hellenistic rhetorical
works now lost, and is notable particularly for its theory and
analysis of four distinct styles (grand, elegant, plain, and
forceful). Doreen Innes' fresh rendering of the work is based on
the earlier Loeb translation by W. Rhys Roberts. Her new
introduction and notes represent the latest scholarship.
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