Review
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A fragmentary, aphoristic examination of night in
all its illuminating darkness from a Lebanese-American poet who
is also an admired visual artist. ―David Orr, The New York Times
Book Review (Best of 2016 Poetry)
Renowned Lebanese-American writer An s consciousness in a
book-length poem that explores night in all its permutations.
Though she is more elliptical and fragmentary here―and less
narrative-driven or referential―than in previous work, these
poems engage in a daring, meditative exploration of perception
and her own experiences. An does this with a courageous
interiority that becomes universal as the text unfolds. Memory is
a particularly notable leitmotif as it relates to identity,
whether personal or collective. “I measure my memory of things,
but not memory itself, as the present is also overflowing,” she
writes. These internal and societal memories lend themselves to
queries about history, landscape, and the nature of
consciousness. An posits that memory is not a “storage room.
It’s not a tool for being able to think, it’s thinking, before
thinking.” As the book progresses, memory becomes increasingly
knotted with loss and mortality: “It was said that people
mattered, which we did, and they lost their shine.” An never
provides clear answers, but this prevents her wide-ranging
assertions from becoming didactic; her evocative imagery and
interwoven repetitions serve to create another memory―one that
will linger with the reader long after the text’s conclusion.
--Publishers Weekly
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About the Author
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Etel An was born in Beirut, Lebanon in 1925. She
studied philosophy at the Sorbonne, U.C. Berkeley, and at
Harvard, and taught at Dominican College in San Rafael,
California, from 1958–1972. In solidarity with the Algerian War
of Independence (1954–1962), An began to resist the political
implications of writing in French and became a painter. Then,
through her participation in the movement against the Vietnam War
(1959–1975), she began to write poetry and became, in her words,
“an American poet.” In 1972, she returned to Beirut and worked as
cultural editor for two daily newspapers―first for Al Safa, then
for L’Orient le Jour. Her novel Sitt Marie-Rose, published in
Paris in 1977, won the France-Pays Arabes award and has been
translated into more than ten languages. In 1977, An
re-established herself in California, making Sausalito her home,
with frequent stays in Paris. An is the author of more than a
dozen books in English, including Journey to Tamalpais
(1986) The Arab Apocalypse (1989), In the Heart of the Heart of
Another Country (2005), and Sea and Fog (2012), winner of the
Lambda Literary Award for Lesbian Poetry and the California Book
Award for Poetry. In 2014, she was awarded one of France’s
highest cultural honors: l’Ordre de Chevalier des Arts et
Lettres. Many of her poems have been put to music by Tania Leon,
Henry Treadgill, Gavin Bryars, Zad Moultaka, Annea Lockwood, and
Bun Ching Lam. Her paintings have been widely exhibited,
including Documenta 13, the 2014 Whitney Biennial, CCA Wattis
Institute for Contemporary Arts, The New Museum, and Museum der
Moderne Salzburg. In 2014, Mathaf: Arab Museum of Modern Art
ed a retrospective of her work.
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