Product Description
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Disc 1: CARRIE SPECIAL EDITION Disc 2: NEEDFUL THINGS Disc 3:
THE DARK HALF Disc 4: MISERY
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Misery
Based on the chilling bestseller by Stephen King, Misery was
brought to the screen by director Rob Reiner as one of the most
effective thrillers of the 1990s. From a brilliant adaptation by
screenwriter William Goldman, Reiner turned King's cautionary
tale of fame and idolatry into a mainstream masterpiece of
escalating suspense, translating King's own experience with
obsessive fans into a frightening tale of entrapment and
psychotic behavior. Kathy Bates deservedly won an Academy Award
for her performance as Annie Wilkes, an unbalanced devotee of
romance novels written by Paul Sheldon (James Caan), whose books
provide Annie with a much-needed escape from her pathetic life
and her secret, violent past. After Annie rescues the injured
Sheldon from a car accident, she seizes the rtunity to nurse
her favorite writer back to , but her tender loving care
soon turns to terrorism as she demands that Sheldon write his
latest novel according to her wish-fulfillment fantasies. From
this point forward, Misery percolates to a boil as equal parts
mystery, thriller, and cleverly dark comedy, with the helpless
author pitched in deadly warfare against his number one fan.
While Bates carefully modulates her role from doting kindness to
sympathetic loneliness and finally to horrifying ferocity, Caan
is equally superb as the celebrated author who must literally
write for his life. It's essentially a two-actor film, but
Richard Farnsworth and Lauren Bacall are excellent in supporting
roles as they investigate the writer's mysterious disappearance.
Frightening, funny, and totally irresistible, Misery was such a
hit that some of Bates's dialogue entered the popular lexicon
(particularly her nagging reference to Caan as "Mister Man"), and
its nail-biting thrills remain timelessly intense. --Jeff Shannon
The Dark Half
Although it lacks the creepy subtleties of Stephen King's
celebrated novel, George Romero's underrated adaptation of The
Dark Half ranks among the best films based on King's fiction,
with Romero taking care to honor King's central theme while
serving up some gruesome gore in the film's much-criticized
finale. Inspired by King's own admission that he wrote several
novels under the pseudonym Richard Bachman, The Dark Half
explores the duality of a writer's impulse, ranging from literary
respectability to the viscerally cathartic thrills of
exploitative pulp fiction. Author and teacher Thad Beaumont
(Timothy Hutton) finds himself torn between those extremes when
he "kills" his profitable, pseudonymous alter ego George Stark
(the bestselling "dark half" to Thad's light), who then assumes
an evil, autonomous form (again played by Hutton) to lethally
defend his role in Thad's creative endeavors. Forced to wrestle
with this evil manifestation of his own unformed twin, Thad must
fight to protect his wife (Amy Madigan), their twin babies, and
his own survival as an artist. Romero skillfully develops the
twin/duality theme to explore the writer's dilemma, and Hutton is
outstanding in his dual roles, playing Stark (in subtly fiendish
makeup) as a redneck rebel with a knack for slashing throats.
Julie Harris adds class in a supporting role, and horror fans
will relish Romero's climactic showdown, in which swarms of
sparrows seal Stark's e. It favors a pulp sensibility with
clunky exposition to explain Stark's existence, but The Dark Half
is a laudable effort from everyone involved. --Jeff Shannon
Needful Things
Stephen King adaptations are strictly hit-or-miss propositions,
and this supernatural thriller from 1993 is definitely a "miss,"
based on one of King's lesser novels and starring Max von Sydow
as the evil proprietor of a small-town antique shop named
"Needful Things." That's the place where anyone can go to find
the one thing they cherish the most (the town's aging jock finds
his old, high-school letterman's jacket there, for example), but
of course there's a price for such priceless keepsakes. Yep,
that's right ... von Sydow is Satan, and his customers pay for
"needful things" with their souls. The sheriff (Ed Harris)
catches onto this hellish predicament, and, well ... let's just
say things go downhill from there, with von Sydow delivering
sardonic wisecracks as he wreaks devilish havoc on the town. Lots
of stuff gets blown to bits, by which time this movie has long
since worn out its welcome. Harris and von Sydow do their best to
liven up the dreary scenario (directed by Charlton Heston's son,
Fraser), but this is strictly for die-hard King fans, and even
then the recommendation is marginal. --Jeff Shannon
Carrie
This terrifying adaptation of Stephen King's bestselling horror
novel was directed by shock maestro Brian De Palma for maximum,
no-holds-barred effect. Sissy Spacek stars as Carrie White, the
beleaguered daughter of a religious kook (Piper Laurie) and a
social outcast tormented by her cruel, insensitive classmates.
When her rage turns into telekinetic powers, however, school's
out in every sense of the word. De Palma's horrific climax in a
school gym lingers forever in the memory, though the film is also
built upon Spacek's remarkable performance and Piper Laurie's
outlandishly creepy one. John Travolta has a small part as a
thug, De Palma's future wife, Nancy Allen, is his girlfriend, and
Amy Irving makes her screen debut as one of the girls giving
Carrie a hard time. --Tom Keogh